The social impact of the film festival

Different film festival focuses on different types of films. When submitting their own works, the directors should also consider whether the film matches the festival’s tastes. Movies such as romantic comedy may not be the favourite type of the Rotterdam Film Festival. What kind of film is selected is actually shows the personal opinion somehow. Some people may think that the film festival is a matter of effective relationship, which is not the case. Although there are many movies to watch, the process of film selection is also a process of discovery, discovering the talent and unique ability of the director. The process of each film festival also affects the type and quality of the films it exhibits. Movies of the same or similar are grouped together to maximize their social value. If the filmmaker participates in the festival for the purpose of communication and is examined and examined the original intention of being explored, it is the justest. The filmmakers don’t feel that they are just running around for a few spotlights. In order to cope with the popularity, the film festival is actually contributing to the talent and enthusiasm of this industry.

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If people can communicate directly and speak the same language, then the film festival is the epitome of the world, said Jean Cocteau. Film Festival is not just for the audience to watch the star’s red carpet show. “Movies” should be the only theme throughout the festival. The French Vesoul Asian Film Festival invited Chinese director Wang Xiaoshuai to serve as the chairman of 2018, and continuously screened 12 films by Wang Xiaoshuai to pay tribute to the director from Beijing. On January 31st, 2018, the film “left and right” once again attracted the attention of the audience. The story is about two young couples who reorganize their families to break through social, psychological and emotional entanglements in order to save a girl with cancer. By using love to solve problems, and convert seemingly irreconcilable conflicts into sublimation, it can be a completely new example. This is a story of a lyrical drama shaped in a melancholy tone. Talking about art perspective, Wang Xiaoshuai once again used various contradictions and conflicts of daily life to focus on the habits of the majority people in Chinese society, and then put these scenes in a very specific and very special plot to make the story rooted in reality. Making the social environment a soil, weaving multiple clues of stories and emotions in the same combination of music and polyphony, allowing the audience to find themselves while watching other people’s stories, thinking about emotional message and excitement. The artist’s work also suggests that the breakthrough power of the system can be used to benefit the society. As a cultural platform in France, the Festival international des cinémas d’Asie has fully demonstrated and recognized the talents of outstanding Chinese filmmakers and the social significance of their works and made people realize that film artists use high-level literary and artistic means to restore social reality and objectively and in-depth examination. China’s national conditions and the significance of the reference to decision-making; this significance far exceeds the economic indicators of the box office of the entertainment industry.

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